Michael Steinberg Fine Art
heavy rule
heavy rule

SELECTED BIBLIOGRAPHY

  • Sneed, Gillian: New York Arts Magazine “Trends in Contemporary Painting,” July/August 2008
  • Quinlan, Cathy Nan: “Shape Shifters: New York Painters,” artcritical.com, May 2008
  • Fendrich, Laurie “The Interface of Art and Humanity” The Chronicle of Higher Education, Chronicle
  • Review, Brainstorm, February 23, 2008
  • Maine, Stephen: “Keeping it Real,” catalogue essay to accompany the solo exhibition Oblique Forms:
  • Spray Paint Paintings, Photographs, The Hybrid Indexical Adventure Series at Abaton Garage, September 9 – October 31, 2007
  • MacAdam, Barbara: Art News “The New Abstraction” April 2007, Volume 106, Number 4
  • Buhmann, Stefanie: “Experience versus Experimentation,” catalogue essay to accompany the solo exhibition of paintings and drawings at Galerie Markus Winter, Berlin, February 10 – March 31, 2007
  • The Art in Embassies Program, United States Embassy Sarajevo, 2006 catalogue, paintings
  • Bortz, Lauri: “Far Less Tangible States of Being, Cohen’s altered x rays, drawings and photographs,” August 2006
  • Maine, Stephen: Art in America February 2005
  • Buhmann, Stefanie: The Brooklyn Rail “Reviews,” November 2004
  • Schwabsky, Barry: “One Art,” essay to accompany 2004 exhibition
  • Rubenstein, Raphael: Art in America, “Not a Mirage," December 2002, Number 12
  • Cohen, Cora: “The Record, the Death, the Surprise,” Abaton Press, Newton, New Jersey, August 1999 photographs
  • Landi, Ann: Art News "New York Reviews," Summer 1999, Volume 98/ Number 7
  • Cotter, Holland: The New York Times "Reviews," April 9, 1999
  • Ratcliff, Carter and Sobel, Kim: "Immediacies of the Hand: Recent Abstract Painting in New York"
    March 1999, catalogue accompanying the exhibition
  • Sendo, Lenore: Art Vue, Reviews
  • Heartney, Eleanor: Art in America, June, 1998
  • Schmerler, Sarah: Art News "New York Reviews" February 1998, Volume 97/ Number 2
  • Pope, Robert Russell III: The Abstract Painter As Snake Handler: An Investigation and Interpretation
    of the Practice of Five American Abstract Painters in 1998, dissertation, Florida State University
  • Humphrey, Jacqueline: "Art on Paper show has unfinished feeling," Greensboro News and Record
    November 19, 1998
  • Perl, Jed: The New Republic "Transformations" December 1, 1997
  • Brackman, Yvette: Time Out New York October 23-30, 1997 Issue 109
  • Arning, Bill: Art in America, "John Zinsser at Pamela Auchinclos," November 1997
  • _______: The New Yorker October 13, 1997
  • Smith, Dinita: The New York Times "Besides the Hudson, The Lure of Art," October 10, 1997
  • Ebony, David: http://www.artnet.com/reviews "David Ebony's New York Top Ten," September 23,
    1997
  • _______: The New Yorker September 22, 1997
  • Macmillan, Kyle: Sunday World Herald "Exhibitions at Joslyn Illustrate Two Different Approaches
    to Art," September 15, 1996
  • Johnson, Ken: The New York Times September 19, 1997
    _______: Time Out New York "Galleries: 57th Street," September 11-18, 1997 Issue 103\
  • Arning, Bill: Time Out New York "Lilith," September 11-18, 1997 Issue 103
  • Mendelsohn, John: The Jewish Week "The Abstract Lilith," August 29, 1997
  • Newhall, Edith: New York Magazine "Fall Previews," September 8, 1997
  • Schwabsky, Barry: Review "Five Shows I Wish I'd Had a Chance to Write About, 1996-7,”
    July/August 1997
  • Cosar, Sascha: Bonner Rundschau, "Urbanes Lebensgefühl in Amerika," May 22, 1997
    _______: Bonner Illustrierte , May 1997
  • Seidel, Martin: Bonner Generalanzeiger, "Spaß mit Öl und Marmorstaub," May 6, 1997
  • _______: Bonner Generalanzeiger "Tips und Termine," April 18, 1997
  • _______: Kölneiz Illustrierte, "Nene Ausslellungen, Import/Export," November 1996
  • Stich, Sidra: Paintings and Altered X rays 1983 - 1996: catalogue accompanying the exhibition,
    includes a conversation with Barry Schwabsky, The University of Alabama, Sarah Moody Gallery of
    Art, July 1996
  • Björkman, Anders: Västerbottens - Kuriren, "The Earth Reddens and Bursts,” Umeå, Sweden, April
    26, 1996
  • Bell, J. Bowyer: Review "Reviews and Previews of Current Exhibitions in New York," April 1996,
    Volume 1, Number 1
  • Hirsch, Robert: “Exploring Color Photography,” Brown & Benchmark Publishers, Madison,
    Wisconsin, 1997, figure 22.5
  • Hirsch, Robert: Campos Perspective "In Search of the Pleasure Principle," May/June 1995, Issue 2
  • Lehrer, Leonard and Rand, Steven: Diverse Group One Direction: catalogue of New York University Faculty Exhibition at Apex Art, Spring 1995
  • Deyneka, Elisa: Art Voice "In Search of the Pleasure Principle," May 1995, Vol. 6, No. 10
  • Huntington, Richard: The Buffalo News "Sweet visions from 13 seekers of pleasure," April 27, 1995
  • Huntington, Richard: The Buffalo News "Joy Division," April 7, 1995
  • ________: Camera and Darkroom April 1995
  • ________: Women Artists: Selections from the Collections of Bryn Mawr College: calendar, 1996
    Campbell, Kathleen and Hirsch, Robert: In Search of the Pleasure Principle: catalogue of the
    exhibition, 1995
  • U. S. Embassy, Manila: Contemporary American Artists: catalogue of the exhibition, 1994
  • Nadelman, Cynthia: Drawing "Museum Acquisitions," November/December 1994, Vol. XVI, No. 4
  • Stevens, Mark: New York Magazine "Bravura Brushwork," November 28, 1994, Vol. 27, No. 47
  • Nochlin, Linda: Cora Cohen: Recent Paintings: catalogue of the exhibition, 1994
  • Bacon, George: The Art Newspaper July - September 1994, No. 40
  • Kalina, Richard: Art in America July 1994, Vol. 82, No. 7
  • Morgan, Robert C.: Art Press "Peintures pour un hiver," April 1994, No. 190
  • Neugroshel, Joachim: The New York Review of Art April 24, 1994, Vol. I, No. 2
  • Phillips, Michael: New Options in Painterly Abstraction: catalogue of the exhibition, 1979
  • Canaday, John: The New York Times "It's Spring in Connecticut, and New Talent Blooms," May 9,
    1976
  • Lorber, Richard: Arts Magazine "Reviews," March 1976, Vol. 50, No. 3
  • Wright, Carolyn: Syracuse New Times “Ambiguity in Art and Person,” December 8, 1974

 

CORA COHEN
Current Work
Portfolio
Solo Exhibitions
Group Exhibitions
Bibliography