2008
Revision, Reiteration, Recombination: Process and the Contemporary Print, curator: Leslie Wayne, UCF Art Gallery, University of Central Florida, Orlando; Collage of Visual Arts, St. Paul, Minnesota
Global Books, les liveres d’artistes de gervais Jassaud , Bibliotheque
Carnegie City of Reims, France
2006
Intersections, Emily Davis Gallery, Meyers School of Art,
University of Akron, OH.
2005
25 Years Selected Solo Exhibitions 1979-2004, Baumgartner Gallery, New York;
The Dazzling Show, curator: Rolf Ricke, Galerie Roellin/Duerr, St. Gallen, Switzerland.
2004
8WP- Eight Women Painters, Karpio+Facchini Gallery, Miami, FL;
About Painting, The Tang Museum and Art Gallery at Skidmore College, N.Y.;
Surface Tension, curator: Manon Slome, Chelsea Art Museum, New York City;
Watercolor World, curator: Miranda McClintic, Dorsky Gallery. Curatorial Programs, New York City.
2003
Before And After Science, Marella Arte Contemporanea, Milano;
Abstract Per se, curator: Max Henry, Red Dot Gallery, New York.
2002
The Belles of Amherst; Contemporary women artists, in the collections of the Mead Art Museum and University Gallery, University of Massachusetts Amherst;
Choose Your Partner: an International Drawing Show,
Nusser & Baumgart Contemporary, Munich;
Cylce Peinture: Trois Regards, curators: Christine Buci-Glucksmann
and Catherine Perret, Les Filles Du Calvaire, Brussels;
Officina America/American Atelier, curator: Renato Barilli, Gallleria d’Arte Moderna-istituzione del Comune di Bologna.
2001
Eye Candy, Scott White Contemporary Art, La Jolla, CA;
Bondo:From Process to Picture (Diana Cooper, Lydia Dona, James Hyde)
I-Space, University of Urbana-Champaign, Chicago, Illinois;
Pop Mechanics, curator: Jonathan Van Dyke, Susquehana Art Museum, Harrisburg, PA;
travels to the Milton Hershey Museum,Hershey, PA.
2000
Flux et Transparences, curators: Christine Buci-Glucksmann and Catherine Perret, Les Filles du Calvaire, Paris;
Group Exhibition, L.A. Louver, Venice, CA;
Universal Abstraction 2000, Jan Weiner Gallery, Kansas City;
From Albers to Paik, Works from the DaimlerChrysler Collection, Stiftung
für konstruktive und konkrete Kunst, Zürich;
Six Abstract Artists At The Millennium, Dorsky Gallery, New York;
Reconstructions. The Imprint of Nature/The Impact of Science, Sidney
Mishkin Gallery/ Baruch College, New York.
1999
Painting/Language, L.A. Louver, Venice, CA;
Stedelijk Museum voor Actuële Kunst, Gent, organized by Jan Hoet;
Geometrie als Gestalt.Strukturen der modernen Kunst von Albers bis Paik. Werke der Sammlung DaimlerChrysler, Staatliche Museen zu Berlin, Neue Nationalgalerie, Berlin;
One by One, Painting versus Drawing, Galerie von Lintel & Nusser, Munich;
Abstract American Painting. Galerie Windows [Bernier/Tanit], Brussels;
ECHO of my mind, curator: Erno Vroonen, Aspekte Galerie, Gasteig, Munich;
Do Paintings Dream of Veronese Green? curator: Maia Damianovic, Elga Wimmer Gallery, New York;
Galore: The Continous Painting Wall, curator: David Moos, Birmingham Museum of Art, Birmingham, AL;
Re: Rauschenberg, curator: Stuart Horodner, Marcel Sitcoske Gallery, San Francisco.
1998
From Here To Eternity, Painting in 1998, curator:
Ruth Kaufmann, Max Protech Gallery, New York;
45th Biennial Exhibition: The Corcoran Collects, curator: Terrie Sultan, The Corcoran Gallery of Art, Washington, D.C.;
Painting Language, L.A. Louver, Venice, California;
Representing the Construction or Constructing the Representation. The
Quantum of Action in Abstract Art, Marcia Wood Gallery, Atlanta;
Decorative Strategies, curator: Georgia Lobacheff, Center for Curatorial Studies, Bard College, Annan-dale-on-Hudson, New York.
1997
Pintura, Galeria Juan Prats, Barcelona, Spain;
Lydia Dona / Lisa Hoke: Blurring the Boundaries; Caren Golden Fine Art,
New York;
In-Form, Bravin Post Lee Gallery, New York;
What's Next On Canvas?; Elga Wimmer Gallery, New York;
The Technological Shift, Lawing Gallery, Houston;
Premilinial Tension, Marella Arte Contemporena, Sarnico, Italy.
1996
Made in the U.S.A. (Work on paper), Galeria Bob van Orsouw, Zurich;
Order/ Disorder; David Winton Bell Gallery, Brown University, Providence, Rhode Island;
Reconditioned Abstraction, curator: Martin Ball,Forum for Contemporary Art, St.Louis;
1995
Nuova Tradizione Americana, Galleria Oddi Baglioni, Rome;
New York Paper Now, Galerie Thomas von Lintel, Munich;
Mesotica, American/ Latin American Abstraction, Museum of Contemporary Art San Jose, Costa Rica;
Pittura Immedia, curator: Peter Weibel, Neue Galerie, Graz;
Lydia Dona / Stephen Ellis, Baumgartner Galleries, Washington, D.C.;
Architecture of the Mind, curator: David Moos, Galerie Barbara Farber, Amsterdam;
TRANSATLANTICA: American, European and Latin American Abstraction, Museo Alejandro Otero, Caracas;
1994
The Institute of Cultural Anxiety, curator: Jeremy
Millar, I.C.A., London;
Painting Language, L.A. Louver Gallery, Los Angeles;
Conditional Painting, (Dona, Frieze, Marcaccio, Reed, Schiess), Galerie Nächst St. Stephan/Rosemarie Schwarzwälder,Vienna;
1993
America-Italia/L'Astrazione Ridefinita, curator: Demetrio Paparoni, Galeria Nazionale D'Arte Moderna San Marino, San Marino;
Sailing to Byzantium with Discontent, curator: Elio Cappucci, Sergio Tossi Arte Contemporanea, Prato, Italy;
Irony and Ecstacy, curator: Klaus Ottmann, Salama-Caro Gallery, London;
Work on Paper, Galerie Nächst St. Stephan/Rosemarie Schwarzwälder,
Vienna;
Abstraction: Continued, CRCA Gallery, University of Texas at Arlington;
Hypnosis , Maryland Institute of Arts, Baltimore, Maryland;
Libidinal Painting, White Columns, New York;
1992
On Condition-Painting Between Representation and Abstraction, Gallery 400 University of Illinois, Chicago;
Abstrakte Malerei Zwischen Analyse und Synthese, Galerie Nächst St. Stephan/Rosemarie Schwarzwälder, Vienna.
1991
New Abstraction--Conceptual Painting, Sidney Janis Gallery, New York;
La Metafisica Della Luce, John Good Gallery, New York,;
Architectures, curator: Demetrio Paparoni, Galleria in Arco, Torino;
42nd Biennial Exhibition of Contemporary American Painting, curator: Terrie Sultan, The Corcoran Gallery of Art, Washington, D.C.;
Outside America-Artists for the Nineties, curator: Collins & Milazzo, Fay Gold Gallery, Atlanta.
1990
The Technological Muse, curator: Susan Fillin-Yeh, Katonah Museum of Art, Katonah, New York;
The Ends of Paintings: The Edges of Abstraction, curator: David Pagel, Shoshana Wayne Gallery, Los Angeles;
The Painter and his Occasion, curator: Alan Jones , Marta Cervera Gallery, New York;
Matter & Memory, Marta Cervera Gallery, New York.
1989
Strange Attractors: The Spectacle of Chaos, curator: Klaus Ottmann, Kaos Foundation, Chicago;
Lydia Dona/David Winter, Barbara Toll Gallery, New York;
The Reunion of Distant Cousins, curator: Raphael Rubinstein, Michael Walls Gallery, New York;
Diagrams & Surrogates, curator: Saul Ostrow, Shea & Becker Gallery, New York.
1988
Numerators, curator: Raphael Rubinstein , John Good Gallery, New York;
Meaningful Geometry, Postmasters Gallery, New York.
1987
Drawn Out, Kansas City Art Museum, Kemper Gallery, Kansas City;
Dreams of an Alchemist, Carl Solway Gallery, Cincinnati.
1986
The Potent Image, curator: R. Ferguson, The Morris Museum, Morristown;
Painting: Abstract Rediscovered, Rosa Esman Gallery, New York;
Admired Work, John Weber Gallery, New York.
1985
57 Between A & D, Holly Solomon Gallery, New York;
8 Years/ 8 Artists/ SVA, curator: Jeanne Siegel, School of Visual Arts Gallery, New York.
1984
Gabrielle Bryers Gallery, New York;
Young Americans, Gallery Bellman, New York;
Space-Time Continuum, Virtual Garrison, New York.
1983
Bonlow Gallery, New York.
1982
Accrochage, Galerie Schmela, Düsseldorf.
