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Baselitz_TamaI.jpg

Georg Baselitz

Georg Baselitz (b. 1938, Deutschbaselitz, Saxony) lives and works outside Munich, Germany, and Imperia, Italy. Major retrospectives of his work have been held at the Whitechapel Art Gallery, London, Centre Pompidou, Solomon R. Guggenheim Museum, New York and Royal Academy of Arts, London. Baselitz has represented Germany at the Venice Biennale (1980) and participated in Documenta 7 in Kassel, Germany (1982).

In the 1960s Georg Baselitz emerged as a pioneer of German Neo-Expressionist painting. His work evokes disquieting subjects rendered feverishly as a means of confronting the realities of the modern age and explores what it is to be German and a German artist in a postwar world. In the late 1970s his iconic "upside-down" paintings, in which bodies, landscapes, and buildings are inverted within the picture plane, ignoring the realities of the physical world, make obvious the artifice of painting. Drawing upon a dynamic and myriad pool of influences, including art of the Mannerist period, African sculptures, and Soviet era illustration art, Baselitz developed a distinct painting language.

Georg Baselitz

Georg Baselitz (b. 1938, Deutschbaselitz, Saxony) lives and works outside Munich, Germany, and Imperia, Italy. Major retrospectives of his work have been held at the Whitechapel Art Gallery, London, Centre Pompidou, Solomon R. Guggenheim Museum, New York and Royal Academy of Arts, London. Baselitz has represented Germany at the Venice Biennale (1980) and participated in Documenta 7 in Kassel, Germany (1982).

In the 1960s Georg Baselitz emerged as a pioneer of German Neo-Expressionist painting. His work evokes disquieting subjects rendered feverishly as a means of confronting the realities of the modern age and explores what it is to be German and a German artist in a postwar world. In the late 1970s his iconic "upside-down" paintings, in which bodies, landscapes, and buildings are inverted within the picture plane, ignoring the realities of the physical world, make obvious the artifice of painting. Drawing upon a dynamic and myriad pool of influences, including art of the Mannerist period, African sculptures, and Soviet era illustration art, Baselitz developed a distinct painting language.

Tamai I, 2002

Tamai I, 2002

3 color etching. 30h x 22.5w in. Edition of 50. Out of Print. Published by ACS Editions. Printed by Niels Borch Jensen. 

Click to download

Tamaii II, 2002

Tamaii II, 2002

3 color etching. 30h x 22.5w in. Edition of 50. Out of Print. Published by ACS Editions. Printed by Niels Borch Jensen. 

Click to download